To date, I’ve acquired and read The Annotated Peter Pan: The Centennial Edition (Edited with an Introduction and Notes by Mary Tartar as well as Andrew Birkin’s marvelous biography J.M. Barrie and the Lost Boys: The Real Story Behind Peter Pan.
In addition to re-watching (and re-watching again!) the Mary
Martin version I grew up with (which I’d already seen a thousand times over) –
I also revisited the Disney version, P.J. Hogan’s 2003 adaption starring Jeremy
Sumpter, as much as I could stomach of Mia Farrow in the 1976 made-for-TV movie
(even Danny Kaye couldn’t save it!) and Finding Neverland a Hollywoodization of
Barrie’s relationship with the Llewelyn Davies boys,
with a dreamy Johnny Depp playing Barrie (who in real life was 5’3” with a
large mustache, a receding hairline, and often given to moody silences.)
I’ve also been ploughing through the 1978 BBC mini-series ‘The Lost Boys’ also written by Birkin, and starring Ian Holm. Despite the excellent critical reception –I’m finding it a bit of a chore – the picture quality of British cameras in 1978 can make even Kensington Gardens look washed out and unremarkable. And the pace? Well, it’s rather like a BBC miniseries from the seventies. That said, when I discovered I’d missed watching the second episode, I sent the DVD with the third dutifully back to Netflix, and am re-ordering the 2nd. While I spared myself the majority of the Mia Farrow version, I feel bound to watch all of this one - however slow it may be!
I’ve also been ploughing through the 1978 BBC mini-series ‘The Lost Boys’ also written by Birkin, and starring Ian Holm. Despite the excellent critical reception –I’m finding it a bit of a chore – the picture quality of British cameras in 1978 can make even Kensington Gardens look washed out and unremarkable. And the pace? Well, it’s rather like a BBC miniseries from the seventies. That said, when I discovered I’d missed watching the second episode, I sent the DVD with the third dutifully back to Netflix, and am re-ordering the 2nd. While I spared myself the majority of the Mia Farrow version, I feel bound to watch all of this one - however slow it may be!
The truth is – 'Peter' is not a new passion for me - being cast in the role has given me the excuse to dive headfirst into a
story that’s always been close to my heart. As I’ve mentioned, I grew up
watching the Mary Martin version on a scratchy VHS tape and that version was
always “the real Peter Pan” to me. To this day, I can’t watch the final scene
(where Wendy is grown up) without weeping profusely. (Though I confess, bursting into a flood of
tears is not an altogether uncommon happening in my life.)
The ‘boy who wouldn’t grow up’ first came back into my life in force a few years ago when I took a job as a receptionist for a financial company. Sitting at a computer all day, I found I had ample amount time for consuming volumes and volumes of the free-literature available online. One of the books I read was ‘Peter Pan’ (originally published as ‘Peter and Wendy.’) which was J.M. Barrie’s novelization of his famous play.
The ‘boy who wouldn’t grow up’ first came back into my life in force a few years ago when I took a job as a receptionist for a financial company. Sitting at a computer all day, I found I had ample amount time for consuming volumes and volumes of the free-literature available online. One of the books I read was ‘Peter Pan’ (originally published as ‘Peter and Wendy.’) which was J.M. Barrie’s novelization of his famous play.
Reading the book lit a fire under my dormant love for the
story – and increased that love tenfold. I couldn’t stop reading whole passages
aloud to whomever would listen – or pretend to.
Whenever I love a piece of literature or writing, my friends and family
find themselves subject to constant performances of my favorite parts. I used
to write the opening paragraph out in cursive – and it wasn’t long before I had
it by heart (as I do many of my favorite
portions of books, poems, movies and plays.)
So when I went to an open call in NYC to audition for Peter Pan – I was already a passionately invested in the story – when I received the call offering me the role I couldn’t wait to go into what I like to call “full-immersion” mode.
I’ve called this blog “An Untidy Mind” because I hoped it would spare me feeling obligated to make it organized or full of sense or purpose – that sense of obligation is the number one feeling that prevents me from going into a ‘public’ project.
Rather, I plan to haphazardly toss out the contents of my brain as it relates to this adventure – and maybe some unrelated articles will show up as well. I think Mrs. Darling would find tidying up my mind to be a rather challenging endeavor – but I’m sure if anyone could do it, she’d be the one.
So when I went to an open call in NYC to audition for Peter Pan – I was already a passionately invested in the story – when I received the call offering me the role I couldn’t wait to go into what I like to call “full-immersion” mode.
I’ve called this blog “An Untidy Mind” because I hoped it would spare me feeling obligated to make it organized or full of sense or purpose – that sense of obligation is the number one feeling that prevents me from going into a ‘public’ project.
Rather, I plan to haphazardly toss out the contents of my brain as it relates to this adventure – and maybe some unrelated articles will show up as well. I think Mrs. Darling would find tidying up my mind to be a rather challenging endeavor – but I’m sure if anyone could do it, she’d be the one.
Corinne Proctor is going to be a fabulous Peter Pan. I know, because I have seen almost every performance of her life. And, as she says, she never does anything halfway. How many actresses can say they double as a dramaturg?
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